Larry Wolf, Twin Lens Cropped (2024) |
Larry Wolf, Twin Lens Cropped (2024) |
Larry Wolf, Twin Lens Cropped (2024) |
Larry Wolf, Twin Lens Cropped (2024) |
Larry Wolf, Twin Lens Cropped (2024) |
Larry Wolf, Two Portraits of Arthur Rimbaud at 17 by Etienne Carjat 1871 as seen through the pages in Wyatt Mason Rimbaud Complete 2002 (2024) |
Patti Smith reminded me that yesterday, 20 October (1854), was Arthur Rimbaud's birthday. She recited a poem, I think her own translation, transcribed by me, with apologies for any errors.
My Bohemia
Fists in torn pockets, I departed.My overcoat grew ideal too.I walked your night, oh muse,And dreamed, oh what glorious love.My only trousers had a hole.Little Tom Thumb,I dropped my dreaming rhymes,My lodging was the great Bear Inn.And in the sky my stars were rustling.I listened seated by the roadIn soft SeptemberWhere the dew was wine vigor on my face.And in weird shadows rhymingPlucked like lyres the laces of my martyred shoes,One foot against my heart.
I wear a button on my shoulder bag strap with the face of a man that was used as a mask. People ask: "Who is that?"
It's Arthur Rimbaud (1854-1891), a French poet and all around bad boy. He's been much loved by artists including David Wojnarowicz (1954-1992). In 1979, David created a mask from a photograph of Arthur and photographed friends wearing that mask at various New York landmarks and in personal spaces (at Coney Island, on the subway, at the piers, jerking off, shooting up, ...).
In 2018, David, then dead 26 years, was celebrated with a major retrospective at the Whitney Museum of American Art (David Wojnarowicz: History Keeps Me Awake at Night), now welcomed into the art canon, a radical accepted in the mainstream. As a souvenir of the exhibition, they created a pin of the Rimbaud mask. There were additional exhibitions at PPOW Gallery and NYU Fales Library.
Larry Wolf, Enfants Terribles (2024) |
After years of questions and months of thinking about what I wanted to say, I made this accordion-fold zine.
Arthur Rimbaud (1854 - 1891)
David Wojnarowicz (1954 - 1992)
Larry Wolf, Enfants Terribles - a side (2024) |
Larry Wolf, Enfants Terribles - b side (2024) |
David Wojnarowicz at ACT UP FDA demonstration Rockville, Maryland, October 11, 1988. Photo by Bill Dobbs |
I don't know when I first learned of David Wojnarowicz; it seems he's always been a part of my life.
Certainly by the 1990s, when he was one of the artists attacked for their upfront homosexuality. He aggressively, and successfully, fought back. Sometimes the reward was symbolic - a favorable court decision and a $1 payment (Wojnarowicz v. American Family Association, 745 F. Supp. 130 (S.D.N.Y. 1990)
Or perhaps in 1988, his jacket emblazoned with "IF I DIE OF AIDS - FORGET BURIAL - JUST DROP MY BODY ON THE STEPS OF THE FDA"?
It could have been earlier, in the 1970s or 80s, when I, as a twenty-something, was finding photographers who inspired me (Duane Michals, Arthur Tress, Peter Hujar). I might have come across David and his work then. The earliest books I have weren't published until the 1990s; I already knew about him when they were acquired.
There's so much more I could (and will eventually say) about David. The David Wojnarowicz Foundation website is rich with information and images.
Photo: Etienne Carjat, Arthur Rimbaud (1871) |
Arthur's arrival in Paris in 1871 at 17 was a big deal among some of the established poets who paid for his train ticket to Paris. He was taken under the wing of Paul Verlaine (or perhaps Arthur took the lead in that relationship). During that first year, Arthur was photographed by Etienne Carjat.
My zine includes the beginning and ending of one of Arthur's many poems. This translation is by Wyatt Mason (2002).
My sad heart drools on deck,A heart splattered with chaw:A target for bowls of soup,My sad heart drools on deck:Soldiers jeer and guffaw.My sad heart drools on deck,A heart splattered with chaw!Ithyphallic and soldierly,
Their jeers have soiled me!Painted on the tillerIthyphallic and soldierly.Abracadabric seas,Cleanse my heart of this disease.Ithyphallic and soldierly,Their jeers have soiled me!When they've shot their wads,How will my stolen heart react?Bacchic fits and bacchic startsWhen they've shot their wads:I'll retch to see my heartTrampled by these clods.What will my stolen heart doWhen they've shot their wads?
May 1871
In 1978, Paris was covered with wheatpasted images of Arthur Rimbaud by the artist Ernest Pignon-Ernest, based on the Carjat photograph. David Wojnarowicz arrived in Paris that fall. David's journals from 1979 include sketches of Arthur, labeled as studies. It is certainly possible that David's Rimbaud in New York series was inspired by Pignon-Ernest's work.
I only recently learned of Pignon-Ernest's work from Benjamin Ivry's very gay positive biography of Arthur Rimbaud in a wonderfully named chapter, Hauntings: From 1892 to Today. I'm definitely haunted by Arthur.
"Returning to New York in 1979 after an extended stay with his sister in Paris, Wojnarowicz decided to visualize Rimbaud's autobiographical writings in terms of his own biography in the American metropolis. With access to copying equipment, he enlarged the cover image of the New Directions paperback edition of Rimbaud's Illuminations to create a life-size mask of the poet. The photo is used in 1979 to make the mask David Wojnarowicz would use in his Rimbaud in New York series.
... Wojnarowicz staged photographs of several friends--Brian Butterick, Jean-Pierre Delage, and John Hall--wearing the mask in places important to his own story: the subway, Times Square and the x-rated theaters around Forty-Second Street, Coney Island, all-night diners, the Hudson River piers, and the loading docks in the Meatpacking District. Several of these enigmatic images appeared in alternative publications at the time ..."
The project was featured in the Soho Weekly News in June of 1980.
David Wojnarowicz, Rimbaud in New York (Soho Weekly News, Vol 7, No 38, June 18-24, 1980) in Dear Jean Pierre, Primary Information (2023) |
Larry Wolf, Enfants Terribles - front and back cover (2024) |
The title page of the zine uses the ACT UP Protest Font created by Be Oakley of GenderFail. They make fonts from protest signs, re-animating the original protest in a form that can be used in new work, as here with this zine.
GenderFail, ACT UP Protest Font - Upper Case |
GenderFail, ACT UP Protest Font - lower case |
David Wojnarowicz, Rimbaud in New York 1978-1979 (PPP Editions, 2004) Worldcat
David Wojnarowicz, In the Shadow of the American Dream, The Diaries of David Wojnarowicz (Grove Press, 1999) Worldcat
Cynthia Carr, Fire in the Belly, the life and times of David Wojnarowicz (Bloomsberry, 2012/2013) Worldcat
David Breslin and David W. Kiehl, David Wojnarowicz - History Keeps Me Awake at Night (Whitney Museum of American Art, 2018) Worldcat
Benjamin Ivry, Arthur Rimbaud (Absolute Press, 1998) Worldcat
Wyatt Mason, Arthur Rimbaud - Rimbaud Complete (Modern Library/Penguin Random House, 2002) Worldcat
Robert Rauschenberg, Cy and the Roman Steps (1952) A set of five gelatin silver photographs |
Robert Rauschenberg, Cy and the Roman Steps (1952) A set of five gelatin silver photographs |
Robert Rauschenberg, Cy and the Roman Steps (1952) A set of five gelatin silver photographs |
Robert Rauschenberg, Cy and the Roman Steps (1952) A set of five gelatin silver photographs |
Robert Rauschenberg, Cy and the Roman Steps (1952) A set of five gelatin silver photographs |
Robert Rauschenberg [1925-2008] met Cy Twombly (1928–2011) in 1951, when both artists were enrolled at the Art Students League of New York. They went on to study at Black Mountain College near Asheville, North Carolina, where they began a rich (and briefly romantic) lifelong relationship. Anchoring their bond was an eight-month journey to Europe and North Africa—a trip that catalyzed some of their earliest experiments in photography, painting, drawing, and sculpture and served as Twombly’s introduction to Italy, a country he would claim as his home from 1957 until his death in 2011.
... Twombly and Rauschenberg had become intimately involved just before leaving New York. The unmistakably erotic charge of the progression—centered, after all, on Twombly’s groin—offers us a window on photographer and subject coming to terms with their new relationship against the backdrop of Rome.
Larry Wolf, Still Point (Eric) (2024) |
You look at me across the two-top, across a quarter century, unguarded moments in the bubble of our relationship, your presence an anchor in the swirl of activity. We hold each other in our gaze, two men, our lives entwined.
Something fresh emerges in the layering of memories—mundane moments, shared meals, waiting for trains or traveling on planes, a pause of connection.
This image contains multitudes: 37,260,000 pixels from 79 portraits. Light and shadow from times once present, now recalled, photons through a lens, electrons crafted with software, eyes on a screen, hands on a keyboard, ink on paper.
[in Devotion: A Queer Photography Exhibition, curated by Taylor Roberts and Grace Coudal, Latitude Chicago, June 22 - July 13, 2024
Larry Wolf, Still Point (Eric) (2024) |
Larry Wolf, DIY at Latitude (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, Clark Street (2024) |
Larry Wolf, A Desire Line (2024) |
What do I make of the paths I follow in the hardscape of the city,
from my home, up the street, down the street, across town?
Selecting these photos - What connects them?
A desire line.